ACCU RIP PRINT SPOT COLOR HOW TO
ACCU RIP PRINT SPOT COLOR PLUS

The Separation Preview Tool is an essential tool to check your layout before making final proofs for either your client or for printing. WhatвЂ™s wrong? RGB mode art has been imported to the layout instead of CMYK-mode black art. Also, when InDesignвЂ™s вЂњSeparation PreviewвЂќ is used and Black is turned off, the black text still appears on the layout as a вЂњgreyвЂќ color. The picture shows that the ink swatch palette has too many colors.

ACCU RIP PRINT SPOT COLOR PLUS

This is a sample letterhead design where two spot ink colors plus black are going to be used on press.

ACCU RIP PRINT SPOT COLOR HOW TO

The following example will illustrate how to clean up the swatch palette so that the inks used match the printing specification of two spot colors plus black. The ink colors that you setup in the print file MUST MATCH the printing specifications of your cost estimate, otherwise, extra costs can occur. When youвЂ™ve determined the spot color(s) to use in your design, add them to the swatches palette. Also consider how specific spot colors translate to process (CMYK) conversions (refer to Pantone Bridge swatches) when choosing spot colors that may sometimes be printed with process ink equivalents.

This is important to keep in mind when you are designing a corporate identity where both uncoated and coated materials will be used. Two bottom yellow swatches are Pantone 116 Coated on Left and 116 Uncoated on Right вЂ“ properly appear different on screen and on electronic proofs. For instance, Pantone 116 Coated is VERY DIFFERENT than Pantone 116 Uncoated. DonвЂ™t assume that the same swatch color will appear the same on both coated and uncoated paper.

It is best practice to refer to an actual Pantone swatch book when choosing a Pantone color. It is VERY IMPORTANT to choose the Pantone swatch that matches the paper you will use for printing. Pantone+ Solid Coated or Uncoated?ДЄlthough the ink used when printing is exactly the same (no special uncoated or coated version), it can appear quite different on coated paper than on uncoated paper. (Using Pantone Bridge colors will be the subject of another post.) The icons that appear next to the swatches in the swatch palette are represented by a dot in a square for spot colors, so you can see at a glance which colors are truly spot inks. Pantone Bridge or Pantone CMYK colors are Pantone formulations that are made up of PROCESS inks (CMYK values) and those are not spot colors but instead are process (4-INK) colors. Pantone+ Metallic, Pantone+ Pastels & Neons (Coated and Uncoated), Pantone+ Premium Metallics, Pantone+ Solid Coated and Pantone+ Solid Uncoated are all SINGLE SPOT COLORS. In the swatches toolbar, choose вЂњNew Color SwatchвЂ¦вЂќ, color type вЂњSpotвЂќ and color mode will show several libraries of color available. This post will use InDesignВ® as the example. Spot color swatches are available in most layout programs. Spot color can be an economical choice when full-color pictures are not used in printing but some color is desired. Many companies use spot colors for identity and corporate communications such as letterhead and envelopes where consistency and branding are critical. What are the advantages of spot color?ДЇirst, spot colors are accurate and predictable for printing specific colors matched to a PantoneВ® swatch book. Spot color is also used in print design files to designate varnish, embossing, foil or dielines (set to overprint) вЂ“ so that these elements remain specific in the file and are not split up into tones of cyan, magenta, yellow and black upon final output. Spot color inks are very accurate for printing and some spot colors exceed the gamut of color possible with process colors (CMYK ink combinations). Spot color is an ink for printing that is mixed to a formula for a specific PantoneВ® color, much like a can of house paint that is mixed to a swatch color.

Accu rip print spot color